Creating the SE 2025 Collection
Creating a new collection can begin in many different ways for me. Sometimes it is all about the stones and curating an evocative grouping based on color, characteristics and cut. On other occasions its about a story or an experience ( ie artist residency or current research obsession). Collections can be driven by the techniques I am currently fascinated with using. But most of the time it is a bit of all these.ย
For the 2025 SPRING EQUINOX Collection I was inspired by techniques I revisited while at Penland School of Crafts, patterns I see in the world at large (but that I began to distill visually while in Iceland) , and a notebook of curated gemstones. There are no less that 50 different tangents I could go down in an attempt to explain my thoughts when creating, but in the case i'll just share a few, based on technique, experience and stones.
Technique- In the early years of my making I used the hydraulic press to create most of my designs. As artists we evolve and over these last 20+ years I began to use the press less and less. While at an Artist Residency at Penland earlier this year I reconnected to this beloved tool and started to explore and experiment in ways that I am incredibly excited about. You will see several pieces in the collection that I have titled "Framed and Formed", these are each using the hydraulic press in new ways.
Experience- I've had the great privilege to attend several artist residencies in shockingly beautiful places, last year a went to Iceland and was blown away by patterns evocative of connections, layering and orbital relationships.ย
Stones- I took a three ring notebook filled with clear card ( the baseball type)holders andย curated a collection of gemstones from my horde . In the end I only used a fraction of what I selected , but seeing them all together helps me begin to form the color story that I hope to tell.
All in all, I designed and made over 100 pieces in the pursuit of a cohesive collection to present to you. I've narrowed it down to just over 70 new works that will go live on March 20 at 4pm ET.
The image is of a portion of the collection in process.
Continue reading